Stained glass windows are a traditional, historical text that is used to represent and convey biblical or artistic storylines. They are designed to tell a story whether it is fiction or non-fiction. The designers spend hours, days, and years to create a composition that can stand the test of time. The long-lasting text of stained glass windows can be created to have different interpretations depending on the context in which they are viewed. Stained glass windows also represent a text due to the tone, and layout of a window. A placement of any component in the window can affect the audience’s personal meaning of the window. Stained glass has been created and made for centuries, and the historical context in which they were created has gradually been a major factor for the meaning of the windows. The techniques including the shading of the colors on the stained glass, and the way that the light shines through the window at any particular time in the day or even at night can all be a major factor in which an audience can change the meaning to the composition of the stained glass windows.
The historical context in which an audience views stained glass windows is a major factor in the interpretation of the text. The Tiffany Chapel now found in Morse Musuem in Winter Park Florida has been relocated five times over the course of the years since it was originally built for the World’s Columbian Exposition in Chicago. The Tiffany Chapel, therefore due to the relocations has changed the meaning of it’s stained glass windows over the course of the years. The Chapel was originally built as a display for people to visit and enjoy, and to see improvements upon stained glass window making.
· “The various windows used in the chapel are marked examples of Tiffany glasswork, all the latest improvements and discoveries, both in glass, leads, and methods of construction. They are built upon what is called the mosaic system. In one window alone, there are more then 10,000 separate pieces of glass. No paints or enamels have been used in these windows except in the flesh of various figures.” ("The Tiffany Chapel" 4)
The original meaning from the chapel then changed as it was removed from the world’s exposition to the Tiffany Glass and Decorating Company in New York for two years. The stained glass and rest of the chapel, however, was then placed in The Cathedral Church of St. John the Divine in New York. The Chapel was placed in the basement crypt, and likely did not get much sunlight, but was used as a chapel for services. The stained glass windows were then placed in a setting that allowed them to be viewed for audiences as a religious context. The worlds exposition had originally been used to make the windows appear for decoration, and for pleasure. As Tiffany is quoted, “A temple of art, not a place of worship.” ("The Tiffany Chapel" 8)Therefore, if the meaning of Tiffany’s words were applied to the new location of the Chapel in the Cathedral, then they were not supposed to be used for religious purposes. The chapel was eventually relocated to Tiffany’s house, and put on display in it’s own building near his house. In due course though, there was a fire after Tiffany’s death, and the chapel was distributed to new homes until the McKeans’ family rebuilt the chapel in Winter Park Florida at the Morse Museum. Due to the many moves however, the Tiffany chapel has changed meanings, and context over the course of the years since it has been built. The stained glass has changed texts over the years due to the location in which it was placed, such as a display of art, or a religious text.
Tone of the stained glass windows can be changed due to small factors such as the lighting during which the window is viewed, the exposure to weathering, texture of the glass, and the unique variations of colors. Shading is created to create a tone in the composition of stained glass. The colors of stained glass are created by using metallic oxides in the mixture of raw materials that make up the glass.
· “In terms of colour and form it is eccentric. Colour is abnormally bright since the light comes through the material instead of being reflected from the surface; tone is usually dictated by bounding leads or area joints of some kind. The whole thing is imprisoned within glazing bars that form an inexorable grid and are structurally necessary.” (Piper 8)
· “Among them are texture, the glow of rich colour, drama of tone and rectilinear or symmetrical arrangement of design. As to texture, it is an acquired characteristic, and a very important one; because its present condition was no part of it’s designer’s intention. A close examination of any fragment of early glass shows that a great deal of its present day effect is accidental, the result of a number of small accidents that build up to a total falsification of the original. There is always pitting of the glass which can be seen best outside; minute depressions- and sometimes bigger ones- have been made in the surface and have filled with dirt, so that the characteristic shading is produced, giving each piece a quality of details, making them seem more sensitive, often again more dramatic and full of bravura.” (Piper 14)
Stained glass is used for audiences to view artwork that has meaning, and is used for churches to tell biblical stories.
· “To the Church it was an invaluable teaching aid permanently communicating the essential elements of the Faith and its founders. Stories and personalities of the Bible could be shown to all in a form comprehensible to the majority who could not read or understand Latin.” (Cowen 4)
WORKS CITED
Cowen, Painton. A Guide to Stained Glass in Britain. London: Michael Joseph, 1985.
Piper, John M.. Stained Glass Art or Anti-Art. London: Reinhold Book Corporation, 1968.
"The Tiffany Chapel at the Morse Museum ."2006.